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At Dolce & Gabbana, Lace Takes Center Stage for Fall/Winter 2026

She kept everyone waiting. Three-quarters of an hour late,  like a dramatic preludebefore Madonna finally took her place in the front row of Dolce & Gabbana’s Fall/Winter 2026–2027 women’s show in Milan. A short black corset-style dress, an impeccably tailored dark jacket, black sunglasses, and turquoise gloves: the silhouette was sharp, commanding, almost liturgical. Beside […]
Menej ako 1 min. min.

She kept everyone waiting. Three-quarters of an hour late,  like a dramatic preludebefore Madonna finally took her place in the front row of Dolce & Gabbana’s Fall/Winter 2026–2027 women’s show in Milan. A short black corset-style dress, an impeccably tailored dark jacket, black sunglasses, and turquoise gloves: the silhouette was sharp, commanding, almost liturgical. Beside her, the ever-composed Anna Wintour looked on. Madonna sat. The show could begin.

A devoted muse of the house since the 1990s — and the face of The One fragrance alongside actor Alberto Guerra, who was also in attendance — Madonna embodies the very tension that defines Dolce & Gabbana: sensuality fused with power.

The collection is built around a clear statement of identity — almost a profession of faith: Sicily as emotion, black as strength, lace as intimacy, couture as authority. Three core dimensions unfold with renewed intensity.

First, black. It’s everywhere. It absorbs the light and sculpts the body. The primal color of the designers’ native Sicily, it calls to mind proud widows, tragic heroines, and an undercurrent of spirituality. On the runway, sharply structured double-breasted coats, classic trench silhouettes, and pinstriped suits — some with stripes unexpectedly shifted to the back — nod to menswear, only to heighten its drama.

Then there’s lace, the second pillar. Black, of course. Layered and sheer, often paired with silk organza, it reveals skin with intention. Mid-calf skirts with softly blurred hems, long-sleeved mini dresses, translucent tops, bralettes peeking out from beneath tailoring — the mood leans lingerie-inspired, but never feels obvious. The sensuality here is controlled. Disciplined. Almost ceremonial.

Finally, tailoring steps forward with authority. Jackets cinched at the waist, sharply cut trouser suits with near-ecclesiastical severity, high vampish collars, cut-out shirts, even garments worn inside out — couture becomes its own language. Less overt than the lace, perhaps, but just as central to this continued exploration of Dolce & Gabbana’s identity.

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